MOTION SCORES

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Dance project of 10 international choreographers with music of 10 czech composers in Year of Czech Music

http://www.yearofczechmusic.cz/

Prager Zeitung Motion Scores

Review Taneční aktuality

Choreography: Irene Bauer (A) - Jan Březina (CZ) - Martin Dvořák (CZ/A) - Eran Gisin (IL) - Eva Klimáčková (SK/F) - Neil Paris (UK) - Vladislav Benito Šoltýs (SK) - Bärbel Stenzenberger (D) - Leonie Wahl (CH/A) - Gabriel Wong (MAL/D)

Music: Antonín Dvořák (1841-1904) - Leoš Janáček (1854-1928) - Bohuslav Martinů (1890-1959) - Vítězslav Novák (1870-1949) - Bohuslav Foerster (1859-1951) - Josef Suk (1874-1935) - Jaroslav Ježek (1906-1942) - Pavel Haas (1899-1944) - Hans Krása (1899-1944) - Vítězslava Kaprálová (1915-1940)

Idea, direction: Martin Dvořák

Costumes: Jindra Rychlá

Dance: Irene Bauer - Jan Březina - Martin Dvořák - Petr Nebřenský - Mirka Prokešová

Revivals 2016:

25. 11. / Liberec, Oblastní galerie - Motion Score: Janáček (Zdenka´s Variations) as part of Spaces II. Bits and Pieces

7. + 8. 11. / Brno, Uměleckoprůmyslové muzeum - Motion Score: Janáček (Zdenka´s Variations) as part of Spaces II. Bits and Pieces

5. 11. / Linz, Lange Nacht: Motion Score: Janáček (Zdenka´s Variations)

Revivals 2015:

13. 5. / Bonn (Germany), Bonner Theater Nacht - MOTION SCORES: Dvořák www.bonnertheaternacht.de

19:45 + 20:45 + 21:45 + 22:45

Opening nights:

8th (20:00) + 9th (18:00) of November BRNO Moravská galerie / Umělecko-průmyslové muzeum, Husova ul. 14 / watch the space here

Reservations: +420 532 169 239poklupm@moravska-galerie.cz or office@proart-festival.cz

Tisckets: MG/UMPRUM - Husova 14 or www.mepass.cz

12. 12. PRAHA 20:00, Ponec

Reservations: office@proart-festival.cz

Tickets: www.mepass.cz

13. 12. BRATISLAVA 20:00, Elledanse

Presentations work in progress:

26. 7. BRNO, Divadlo na Orlí

Eran Gisin (IL) - Neil Paris (UK) - Vladislav Benito Šoltýs (SK) - Bärbel Stenzenberger (D) / ProART Company (CZ): MOTION SCORES I-IV

3. 8. PRAHA, NoD Roxy

Jan Březina (CZ) - Eran Gisin (IL) - Eva Klimáčková (SK/F) - Neil Paris (UK) - Vladislav Benito Šoltýs (SK) - Bärbel Stenzenberger (D) -  Leonie Wahl (CH/A) - Gabriel Wong (MAL/D) / ProART Company (CZ): MOTION SCORES I-VIII

13. 9. BRATISLAVA, Elledanse

Eran Gisin (IL) - Neil Paris (UK) - Vladislav Benito Šoltýs (SK) - Bärbel Stenzenberger (D) - Eva Klimáčková (SK/F) / ProART Company (CZ): MOTION SCORES I-V

9. 11. Brno 14:15 / Dance Life Expo / Motion Scores IV.+X.

30. 12. Malta, La Valetta - Spectacular Ballet Gala / Motion Scores: III. + V. (Janáček + Dvořák)

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Financial support: hlavní město Praha, statutární město Brno a Ministerstvo kultury ČR, Nadace Život umělce a Státní fond kultury ČR

On the occasion of the Year of Czech Music and ProART's 10th anniversary, we created a non-traditional project called Motion Scores, choreographed by 10 international choreographers to the music of 10 Czech composers. It is rather a megalomaniac attempt to inspire choreographers with a different art background to creating to Czech music, i.e. classical music of 20th century composers.

The assignment was the same for all – music only. They only had two options. The final performance on the stage which the audience will see is the result of the personal choice and artistic vision of each of the artists addressed  and their openness to a mutual dialogue.

My initial intention was to map the development of Czech music from its beginnings throughout the entire evening. However the stylistic fragmentation, in combination with the genre differentiation of the individual choreographers, led me to limit the music segment to only one specific period. Without any doubt, the 20thcentury is the most significant for me personally. Contemporary music of today's composers is stylistically heterogeneous to such an extent that it would only remind us unsystematic jumble.

Of course, it was not natural to create and work with this type of music for each of the choreographers. Thus, many accepted it as a challenge and personal experience. Some even simply refused after hearing the compositions. Nevertheless, I am most interested in the variety of creative approaches and visions of how to capture our classical music.

Irene Jan Martin Mirka Petr Rok_ch2014_cervNEG