Iva Bittová


Iva Bittová’s countryman Milan Kundera wrote how Europe’s “small nations” form another Europe. The violinist-vocalist may be ‘small nation’ Czech but her musical worldview and visionary creativity acknowledge no borders. Her powers of spontaneous creativity are more bountiful than it is fair to confer on one person. Witness and marvel.
[50 words] by Ken Hunt

Iva Bittová was born in 1958 in Bruntál in northern Moravia in what was then Czechoslovakia – and nowadays the Czech Republic. Both of her parents were musicians. Her mother Ludmila was a pre-school teacher who spent most of her life with her family; her father Koloman Bitto – Bittová is the surname’s female form – was a musician strongly influenced by the land of his birth – southern Slovakia. His main instruments were string bass, cimbalom, guitar, and trumpet. This exceptional ability to play almost any instrument he laid his hands on, whether performing in classical or folk music styles, proved a major influence on his three daughters as they grew up. Both of Iva’s sisters – her older sister Ida and her younger sister Regina – are professional drama and music performers.

Iva attended drama pre-school, specializing in violin and ballet. In due course she gained admittance to the Music Conservatory in Brno, often called the Czech Republic’s second city. She graduated in drama and music. During her studies, Iva took part-time engagements as an actress and musician in Brno’s Divadlo Husa na provázku (Goose On A String Theater). She cites these engagements as some of the most formative and influential of her life.

Around this time she also featured as an actress in radio, TV and movie productions. Later on, while working full time in theater, she re-kindled her interest in playing violin, an instrument she had set aside in her younger years. After her father’s early death, she decided to follow in his professional footsteps as an instrumentalist and by composing her own music.

In 1982, Iva started studying with Professor Rudolf Šťastný, the primarius (first violin) of the Moravian String Quartet. In the intervening years the violin has become her life’s passion and the most inspiring musical instrument in her professional life. Iva firmly believes that, as playing the violin places extreme demands on musicians, the composer’s work depends utterly on commitment and diligence.

After living in the countryside near Brno for 17 years, Iva decided to relocate her personal and professional life to the United States. In the Summer of 2007, she settled amid the splendors of nature in upstate New York. Iva shares her Hudson Valley home with her younger son Antonín (born 1991) – also a dedicated musician and another chip off the Bitto block.

In 2015 I finished my studies at the Academy of Ancient Music / Musicology at the Masaryk University in Brno and received a bachelor's degree.

A few words from Iva:

“For many years, I have worked in a range of musical genres, including jazz, rock, classical and opera. Deciding on a name for my style of music is far from over yet. Whatever it is, many of my listeners have long considered it highly original. It has always been everyday life that inspired my music and interpretations. Its inspiration has been total silence and an absolutely positive atmosphere. Those are the most important conditions and surroundings in which when my ideas spring into life. I believe they have a significant impact on my music.”

“The violin accompanies me all the time. Everything around me is under its influence. There are difficult pieces to practice from which I gain discipline, confidence, and self–control – and a healthy measure of doubt. The violin is a mirror reflecting my dreams and imagination. I believe there are fundamentals to my performance, such as the music’s vibration and resonance between violin and my voice. Their ‘symphony’ leads me on to perfection, even though I know it never can be attained.”

ProART Festival 2017


28. 6. workshop + concert